C'batch returns with a late-night confession that sounds like it already knew you'd be back.

That hour exists. Most of its character can be gleaned from experiencing it; therefore, almost anyone can tell you what that hour is by just being okay with its existence - simply by letting it just exist. Perhaps the best-known citizens of that hour remain silent no matter how many times they have an opportunity to make themselves known. This is true of men such as C'batch who have existed in this hour for quite some time and are now ready to give it away.

Next Time (I Won't Be Falling) has been created and exists in that hour intentionally. An unmarried man saying goodbye as his wife enters a new phase of life, while also enjoying and using Pinterest-style methods to create and exhibit on a few levels. He is simply a man who has enjoyed enough music over a long enough time that he has given up on any desire to adhere to one descriptive type of music (genre), and instead created an original piece of written music for everyone regardless of genre taste.

So the name of the project is "Next Time (I Won't Be Falling);" this implies the experience of a NEXT TIME, or another occasion. There have likely been moments before (this time) and forever after (there have NEVER been!) Sorry! The emotional turmoil related to romantic potential does not stop because it contains music at this level of quality; it will continue to exist until something happens to bring both parties back into each other's arms against their own will.

Stephen H. Cumberbatch has been creating this music for longer than many of the people who are enjoying it for the first time now have been alive. He was a co-writer of Sinnamon's song "I Need You Now," which became a mainstay at New York nightclubs and, in the process, helped to spread house, garage and rave music throughout the '80s and '90s. The way that a large number of people from the past 50 years learned how to feel things emotionally through sound can be traced back to Cumberbatch in some way. That history is not merely background to the music of this EP. It will also be apparent in the overall sound of the songs.

This EP is separated into two halves: one side is for confession and the other, movement. Some songs require low lighting and no cell phones, while others have dance floors. The remixing of "Fluorescent Buzz (You Got Me Falling)" retains the same emotional impact as in the "club version" without taking any of the emotion away.

The remixes of the title track will be released sometime before July 2026, as part of the soundtrack for the film, The Vault 4. If this EP is an enclosed area, then those tracks from The Vault 4 represent an opening from the inside of the room out onto the street.

Some artists get their inspiration by remembering; C'batch gets his by clarifying.