Weekly Discover #51

Welcome to Weekly Discover 51 — where sound meets storytelling. This isn’t just a playlist; it’s a carefully woven tapestry of today’s most compelling music moments.

Each track is handpicked to reflect the pulse of the current scene—from soulful slow-burners to high-energy anthems. Whether it’s a familiar echo or a bold new voice, every song carries something that resonates.

In this edition, you’ll hear rising talent pushing creative limits, blending timeless influences with forward-thinking production. It’s a space where experimentation thrives and genre lines blur, inviting listeners into something both fresh and deeply personal.

Weekly Discover 51 is about movement—sonic evolution, emotional connection, and the joy of discovery. Whether you're here every week or dropping in for the first time, there’s something waiting to spark your curiosity.

Step into the world of 1111CR3W, where music isn’t just heard—it’s felt.

Dominick Raffaele – Game Over

There’s something compelling about a young artist who doesn’t just sing at you—but to you. With “Game Over,” Dominick Raffaele delivers a track that feels both personal and universal, hitting that elusive sweet spot where vulnerability meets radio-ready polish. Released on April 13th, 2025, and recorded at Dream Recording Studio, the single is more than just a seasonal pop anthem—it’s a window into the artist’s lived experience.

A native of Massapequa, New York, Dominick has been carving out a place for himself in a pop landscape saturated with overproduction and fleeting trends. Instead of chasing viral hooks, he’s crafted something with staying power. “Game Over” draws from the emotional highs and lows of an on-again, off-again relationship, and rather than burying that rawness under a thick gloss of autotune, Dominick lets it rise to the surface. His voice—smooth but textured, confident but aching—guides the listener through a story many have lived but few have articulated this cleanly.

Musically, the track leans into breezy, upbeat instrumentation—sun-soaked production, a driving beat, and infectious melodies that immediately evoke warm nights, windows down, and the lingering sting of almost-love. You can hear echoes of his influences—Justin Bieber and The Kid Laroi—in the vocal phrasing and pop sensibility, but the songwriting feels distinctly his own. There’s a certain lightness to the sound, yet it’s weighted with emotional substance. It’s this duality that makes “Game Over” stand out.

Dominick himself has described the track as a departure from his usual ballad-heavy catalog—a conscious effort to create something people could enjoy without overthinking. “I wanted to try the pop route because my songs are usually ballads,” he says. “But with this one, I just wanted to make something fun.” And that intent shines through. While it’s rooted in personal heartbreak, “Game Over” is ultimately a liberating listen—a reminder that dancing through your pain can sometimes be the most honest therapy.

As he preps for a solo show later this summer, aimed at showcasing his vocal evolution, Dominick Raffaele is proving that he’s more than just another emerging voice in pop. He’s an artist in motion—learning, growing, and sharing each step with an honesty that resonates. With “Game Over,” he hasn’t just turned a page—he’s started a new chapter.

Want help drafting the promotional blurb or social caption for this review?

Mark Walsh – “Saturn”

Mark Walsh’s new single “Saturn” is less of a pop song and more of a cinematic love letter—one written from the cosmos and addressed straight to Earth. With this release, the Boston-based artist opens up a new chapter in his career, bringing space travel and human connection together in a way that feels both massive in scope and tender in spirit.

Born from a post-Interstellar moment of awe and a morning commute under a full moon, “Saturn” takes a deeply personal memory and launches it into orbit. It’s clear from the first verse that this isn’t just another space metaphor thrown into a love song. Walsh anchors his lyrics in real experience—a spontaneous line inspired by his girlfriend’s moonwalking dance becomes a refrain that feels at once playful and profound: “Moonwalking the rings on Saturn, but if I don’t got you it don’t matter.” It’s a clever lyric that captures something universal: no matter how far we travel or dream, the people we love are our true center of gravity.

What makes “Saturn” even more striking is its sonic world. The track weaves real NASA radio wave recordings from Earth and Saturn into its production—a choice that doesn’t feel gimmicky but instead adds texture and authenticity. These subtle frequencies hum beneath the clean, melodic pop surface, giving the song a sense of weightlessness and mystery. You can hear the cosmos in it—not as a cold void, but as a canvas for emotional storytelling.

“Saturn” is his first release in a year-long monthly series, all self-crafted—from the songwriting and production to the visuals and promo. His independence isn’t just a marketing angle—it’s the essence of his artistry. Every detail feels intentional, from the story behind the song’s inception to the ambient textures of outer space that underscore its message.

Live, Walsh has made a name for himself in New England’s indie circuit, performing at venues like Sonia in Cambridge and Nectar’s in Burlington, while also pulling off sold-out boat shows in Boston. His collaborative energy with fellow artist Phat Hosea hints at even more expansive work on the horizon, including a joint album and tour.

“Saturn” stands as more than a song—it's a quiet, confident declaration that Mark Walsh is aiming far beyond fleeting chart moments. He’s after something more lasting: art that explores distance, devotion, and the delicate gravity that holds us together.

Verdict: A cinematic, emotionally resonant pop track that orbits the heart.

Recommended if you like: Lauv, FINNEAS, or Coldplay’s quieter moments.

Omar – I Got You

There’s something undeniably magnetic about Omar’s latest single, I Got You. Released on March 28, 2025, the Los Angeles-based artist delivers a smooth, vibrant track that blends charm, soul, and swagger with a deceptively simple message: love can be light, fun, and sexy—and that’s more than enough.

From the moment the beat kicks in, it’s clear this isn’t your average love song. Omar, drawing inspiration from the playful bounce of Justin Bieber’s Yummy, leans into a more colorful, sensual direction. But where Yummy flirted with surface-level sweetness, I Got You dives deeper into warmth and intent. There’s a sincerity here—an energy that invites the listener to feel seen, appreciated, and celebrated.

A lot of that magic comes from the creative team behind the track. Co-written by Felly the Voice—Omar’s longtime collaborator and what he calls a “big brother” in the studio—the lyrics hit that rare balance of cheeky and genuine. The hypnotic hook (“you know, you know, you know, you know, you know—I got you”) is catchy without being overdone, and it lands like a whispered promise in the middle of a joyful groove.

Production-wise, Omar took the reins in Atlanta before heading to Circle House Studios in Miami, where engineer Jesse Jazz helped bring the sound to life. The attention to sonic detail is clear. Basslines throb with playful confidence, synths shimmer like sun on water, and vocal layering adds a smooth, sensual finish. It's experimental without losing its pop edge—fun, yet technically sharp.

What makes I Got You resonate isn’t just the beat or the bounce—it’s the feeling it leaves you with. Omar wanted to make a track that makes women feel sexy and loved, and he absolutely delivers on that intention. The song carries a kind of joyful self-assurance, like someone who finally stopped chasing perfection and just started creating from the heart.

As Omar gears up for his upcoming U.S. tour through April and May, I Got You feels like a perfect prelude—an anthem of confidence, connection, and color. It’s the kind of track you put on repeat because it makes you feel good. And sometimes, that’s exactly what great music is supposed to do.

Standout lyric:

"You know... I got you."

For fans of: Justin Bieber, Miguel, Felly, Keshi

Verdict:

★ ★ ★ ★ ☆ – I Got You is fresh, fun, and flirty, but it’s also deeper than it lets on. Omar is clearly finding his voice—and it’s one worth turning up.

Cheeni – Suave

There’s something quietly magnetic about Cheeni’s latest single Suave. From the first few bars, it’s clear that this isn’t just another lo-fi hip-hop track vying for attention in an oversaturated genre. Instead, Suave feels like a personal letter from the artist to himself — and by extension, to anyone who's ever needed a moment to breathe, reflect, and keep moving forward with intention.

Written and recorded during a time of self-imposed exile overseas, Cheeni turned to his home studio not just to make music, but to find solace. That emotional core pulses gently through the track’s mellow, jazz-tinged production. Built around dusty, hypnotic loops and understated percussion, the sonic atmosphere is warm and meditative, but never dull. It's the kind of beat that doesn’t ask for attention — it earns it by setting the perfect mood for Cheeni’s lyrical introspection.

What truly sets Suave apart, though, is its lyrical soul. Cheeni doesn’t crowd the mic with bravado or filler. His words are deliberate, contemplative, and often tinged with subtle faith and philosophy. With lines that hint at perseverance and self-trust, he delivers a message of grace under pressure — of moving through chaos without letting it define you. There’s a lived-in wisdom to it, but it’s never preachy. It's like listening to a friend who’s been through some things and wants to share what they’ve learned, without pretending to have it all figured out.

As he continues to perform Suave live, Cheeni’s connection with his audience only deepens. There’s a sincerity in the way he delivers the track — an understanding that music, at its best, can be a bridge between hearts. In his words, “Nothing happens unless you make it happen,” and that ethos pulses throughout the song: the quiet determination, the creative self-sufficiency, the insistence on carving a meaningful path even when the road is uncertain.

In a landscape full of noise, Suave is refreshingly grounded. It’s not flashy. It doesn’t chase trends. It just exists — gently but firmly — as a sonic space where reflection meets rhythm. For fans of lo-fi, conscious rap, or just honest music with a soul, Suave is a track worth keeping in rotation. Cheeni doesn’t just want to be heard — he wants to make you feel something. And in Suave, he does exactly that.

Jay V Flyy – My Feelings (Radio Edit)

There’s something undeniably infectious about Jay V Flyy’s latest single, My Feelings (Radio Edit). From the moment the beat kicks in, the Zurich-based producer sets the tone for a carefree, sun-drenched escape—a track designed not just for the dance floor, but for the soul.

Hailing from Switzerland’s dynamic underground scene, Jay V Flyy has steadily built a name for himself with a signature sound that draws from Tech House and Minimal influences, while never losing sight of what makes a track feel good. With My Feelings, he hits that sweet spot. It's a finely tuned cocktail of pulsing basslines, smooth transitions, and a melody that lingers long after the final fade. There’s a lightness to it, but not in a shallow way—it’s more like the soundtrack to a moment when everything feels just right.

Interestingly, the track’s origins trace back to a vacation in Malaga, Spain, where the initial spark of the melody came to life. You can almost hear the influence in the track’s breezy rhythm and sunlit atmosphere. But what’s most compelling is how Jay V Flyy took that inspiration and transformed it into a fully fleshed-out sonic experience back home in Zurich. The contrast between coastal spontaneity and urban precision gives the track its dual appeal: it’s playful, but it’s polished.

As a self-produced artist, Jay V Flyy is intimately involved in every element of his work—and it shows. He’s not just riding the wave of a genre; he’s contributing to it. The simplicity of the melody, the consistent energy, and the overall intention—to bring people together through dance and joy—make My Feelings more than just a club-ready tune. It’s a reflection of an artist who’s fully immersed in his process, driven by pure creative obsession.

This is the kind of record that slips effortlessly into DJ sets, sunset parties, or just solo listening sessions when you need a lift. It’s a reminder that sometimes, the most powerful musical moments come not from complexity, but from clarity of emotion and purpose.

With more projects and collaborations already in the pipeline, My Feelings (Radio Edit) feels like both a celebration of where Jay V Flyy is now—and a promise of where he’s headed next.

P!xelm!te – "Moderh8r"

Every so often, a new voice emerges from the chaos of the internet—equal parts unpredictable, hilarious, and unreasonably catchy. With his latest single "Moderh8r", Sydney-based artist P!xelm!te steps up as that voice, channeling meme culture into music with the kind of finesse that’s rare for someone so early in their career.

Recorded entirely in his home studio, Moderh8r is a cheeky jab at the overly serious online gatekeepers—the moderators who take a bit too much pride in their power. But this isn’t some angry callout; it’s satire wrapped in synths. The beat bounces with energy, the lyrics land like inside jokes from a Discord server, and the tone is unmistakably playful.

Fans of bbno$, Yung Gravy, and double a-ron will immediately feel at home. You can hear those influences—not in imitation, but in spirit. P!xelm!te leans into the absurdity, riffing on digital culture while staying grounded in sharp production and clever lyricism. It’s meme rap at its finest: self-aware, absurdly fun, and surprisingly polished for something made “just having fun.”

What makes Moderh8r hit isn't just the humor, but the authenticity. There’s no industry machine behind this—just a guy in Sydney with a mic, a vision, and a good sense of timing. That DIY energy gives the track charm, and it’s part of why P!xelm!te feels like a rising star. He’s not trying to be too cool. He’s trying to make you laugh, bob your head, and maybe roll your eyes in the best way possible.

At under two minutes, the song doesn’t overstay its welcome. Instead, it’s short, punchy, and replay-worthy—a perfect loop for those late-night scrolls or group chats with your favorite internet weirdos.

With Moderh8r, P!xelm!te isn’t just making a joke—he’s making a statement: music can be silly and smart, simple and well-crafted. And if this is him just getting started? The meme rap world might have just found its next cult favorite.

Verdict:

A smart, snappy debut that’s as funny as it is fresh. P!xelm!te is meme rap’s next name to know.

H.E.M. Steel – “Where Tha Moneyz At”

Coming straight out of Washington, D.C., H.E.M. Steel’s latest single “Where Tha Moneyz At” doesn’t just knock—it speaks. Released on March 14, 2025, the track is a bold, unfiltered statement from an artist clearly stepping into his own, sonically and spiritually. It’s more than a song—it’s a hustle anthem, an energy boost for anyone chasing a vision, and a reflection of Steel’s evolving artistry.

Produced by GsharpBeatz, “Where Tha Moneyz At” carries a layered intensity, merging the bounce and grit of early 2000s hip-hop with today’s melodic sensibilities. Steel handles both the pen and the mic with precision. The result? A self-assured blend of old school homage and new school ambition—without sounding like an imitation of either. There are nods to T.I.’s “Motivation,” Nipsey Hussle’s “All My Life,” and 21 Savage’s “Bank Account,” but Steel doesn’t just borrow—he translates the spirit of those tracks into something distinctly his.

What sets this release apart isn’t just the concept or the beat—it’s the DIY ethos behind it. Recorded at home, Steel took a hands-on approach to the engineering process, carefully shaping the layers and balances of vocals and beat. This wasn’t just a technical exercise; it was part of his growth, learning how to control the emotion and energy behind every bar. You can hear the care in his delivery—raw, but intentional. The kind of performance that lets you know he means every word.

Lyrically, the track stays focused. Steel isn’t trying to flex for the sake of flexing. Instead, he zeroes in on the drive that fuels late nights and long days—the pursuit of purpose through grind. There’s something cathartic about how he moves through the beat: part reflection, part war cry.

“Where Tha Moneyz At” is important not because it’s polished to perfection, but because it feels real. This is an artist learning, building, and refining his voice in real time, and inviting listeners into that journey. Steel himself says, “I learned more about music on this project… not just rapping.” That evolution shows.

There may be no live shows on the calendar just yet, but make no mistake—H.E.M. Steel is making moves. This track plants a flag. And if it’s any indication of what’s next, the money won’t be the only thing coming his way.