1111CR3W

There’s a moment – half a second or even shorter – where everything seems wrong. A missed step. A wrong word. Static in the chest. And then suddenly that all turns into music. This is the place where Kelsie Kimberlin resides in “Clumsy Girl”. Not in the place of perfection but in the stumble. The ash, the concrete, and the human element. At 26, Kelsie Kimberlin’s version of her life doesn’t appear to go in a straight line; it zig-zags all over the place. It begins with her re

There is a time before the arrival of the energy waves when the world does not move (it is as if the air had static), and the ashes from burning somethingunknown, settle on the concrete ground from my feet to the ground. Mother of Dawn begins just before this moment in everything and then Inception of Eternity pulls you under with no hesitation. Angela has been singing for four years without pause or interruption to create the new sound of this band. She was not singing like

The Garbage Garden doesn’t demand your attention; rather, they allow it to flicker, like a static plug in a darkened room. Then, with little fanfare, they gain it. The “Quiet Garden” track proceeds out of the Still Being period gradually, through a slow break-up of glitches and synthesized sounds, blurry atmospherics and concrete-like textures beneath bare feet, and the ashes of something which has long since burned. There's a tension evident here — though it has a playfulnes

Eoin Shannon does not merely compose songs. He creates environments for confessional storytelling. With Every Drunk Has a Story, this Cork artist has constructed a world of late-night experiences where every voice matters and all the spaces between the voices are dancing with static. You can practically feel the concrete beneath your feet; the air feels heavy with ash; the gentle clink of glass (beer, regret, memory) is being combined to form something very human but also fu