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There is no need for urgency with Richard Green, his music drifts much like the weather – slowly, naturally, an internal push against your body. Sad but Beautiful fits neatly within this tension. Piano, strings, stillness….then something breaks. Not with a bang, rather it would be similar to hearing static below a piece of concrete, the slow sense of collapsing into something emotive. Developed from bedrooms throughout London and studio locations across Italy, this track has

There’s a moment – half a second or even shorter – where everything seems wrong. A missed step. A wrong word. Static in the chest. And then suddenly that all turns into music. This is the place where Kelsie Kimberlin resides in “Clumsy Girl”. Not in the place of perfection but in the stumble. The ash, the concrete, and the human element. At 26, Kelsie Kimberlin’s version of her life doesn’t appear to go in a straight line; it zig-zags all over the place. It begins with her re

There is a time before the arrival of the energy waves when the world does not move (it is as if the air had static), and the ashes from burning somethingunknown, settle on the concrete ground from my feet to the ground. Mother of Dawn begins just before this moment in everything and then Inception of Eternity pulls you under with no hesitation. Angela has been singing for four years without pause or interruption to create the new sound of this band. She was not singing like

The Garbage Garden doesn’t demand your attention; rather, they allow it to flicker, like a static plug in a darkened room. Then, with little fanfare, they gain it. The “Quiet Garden” track proceeds out of the Still Being period gradually, through a slow break-up of glitches and synthesized sounds, blurry atmospherics and concrete-like textures beneath bare feet, and the ashes of something which has long since burned. There's a tension evident here — though it has a playfulnes