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Artists like Vincent J. Rigney have a unique creativity that inspires them to get inspired with their own ideas and create music that you will never forget. His music is very earthy but high-end and he uses raw and polished instruments in the creation of his songs. Vincent was raised in a small industrial city called Corby so naturally much of what he creates has that same industrial look and feel. You can hear it in his voice as he sings, you can feel the concrete under his

The way that music is made without a safety net is very artistically and aesthetically pleasing, like raw materials that are not overly polished or repaired will have their rawness show through. The making of music with instinct, timing, breathing, and six musicians playing with each other at the same time, has a heartbeat that comes through on the Counting Of The Coup album released by the band of the same name (the Louisiana Collective) and J Dulva (performing with the band

There is no need for urgency with Richard Green, his music drifts much like the weather – slowly, naturally, an internal push against your body. Sad but Beautiful fits neatly within this tension. Piano, strings, stillness….then something breaks. Not with a bang, rather it would be similar to hearing static below a piece of concrete, the slow sense of collapsing into something emotive. Developed from bedrooms throughout London and studio locations across Italy, this track has

There’s a moment – half a second or even shorter – where everything seems wrong. A missed step. A wrong word. Static in the chest. And then suddenly that all turns into music. This is the place where Kelsie Kimberlin resides in “Clumsy Girl”. Not in the place of perfection but in the stumble. The ash, the concrete, and the human element. At 26, Kelsie Kimberlin’s version of her life doesn’t appear to go in a straight line; it zig-zags all over the place. It begins with her re