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The beginning of "Finish Line" features a sound that many would dismiss in a hurry. In fact, it's the dreadful noise of a struggling coffee maker somewhere in a kitchen in Hamburg, late at night. Iri Antler, however, decided to make it work for her track and turned this raw moment into a song. Inside Iri Antler's "Finish Line," a Hamburg fever dream about running in place and never quite arriving Iri is a one-person film crew—writing the songs, producing them, shooting them o

Colin Keefe takes a hotel room jam in Portland and transforms it into the debut vocal record of Radical Man, and somehow everything works out in the end In one version of the story, the hotel room remains just a hotel room. There’s a loop that Colin Keefe was using on a random night in Portland loop gets forgotten by morning, marked under things that seem pleasant at 2 a.m. but mean nothing by noon. That’s not what actually happened. "River," realesed July 24, is Radical Man'

Certain songs keep quiet until the right time comes for them to be revealed. One such example is Lazy Sunday, which was buried in an extended composition over a year ago in The Wood by Amanda Emblem, but the work is now finally receiving the type of focus it has long needed and deserved. With a less is more philosophy, Lazy Sunday emerges as a standalone song having been reworked since it first appeared; the song has been cut down to its most basic form, and has been improved

Cape Town pianist Ralston Van Der Schyff turned a year of stillness into a chase nobody could see the end of, and called it A Game Of Cat And Mouse. Think of a room that is now closed off to everyone. Dust has settled everywhere and there is just one cracked window through which light can make it into that room. There is something small, very quickly running around in the corner of that room. That's the world that Ralston Van Der Schyff created in his mind during those weird