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Weekly Discover #50

  • Writer: Fernando Triff
    Fernando Triff
  • Apr 22
  • 15 min read

Welcome to Weekly Discover 50.


This isn’t just a playlist—it’s a handpicked soundtrack that reflects the pulse of today’s evolving music culture.


Each track has been thoughtfully selected to echo the spirit of innovation and emotion that defines modern sound. From soothing tones to electrifying beats, the collection spans moods and styles, offering something unexpected at every turn.


Weekly Discover 50 brings together rising voices and genre-defying sounds. It’s where timeless inspiration meets bold new directions—artists experimenting, creating, and reshaping what music can be.


Whether you’re a long-time listener or just tuning in, this session offers a space for exploration, reflection, and rediscovery.


Step into the soundscape of 1111CR3W, where every song tells a story and every rhythm leaves a mark.


Record Review: Dax – Lonely Dirt Road


Sometimes a song doesn’t just play—it pauses with you. It sits with your thoughts, traces your scars, and walks beside you on roads only you’ve known. That’s the effect Dax’s latest single, Lonely Dirt Road, leaves behind—a haunting, heartfelt meditation on solitude, faith, and healing.


Released on April 10, 2025, the track marks another powerful chapter in the Wichita-born artist’s evolution, both musically and personally. Dax, already recognized for his raw storytelling and lyrical conviction, peels back even more layers on this one. The result is a record that doesn't just resonate—it echoes.


Built around a soulful, stripped-down production crafted by Lex Nour Beats, Lonely Dirt Road finds its strength not in sonic complexity, but in emotional depth. The beat gently cradles Dax’s voice, which swings between composed reflection and barely-contained vulnerability. It’s a balance few artists can strike, but Dax does it with the quiet grace of someone who’s been through the storm—and stayed to write about it.


The track was recorded in a Nashville bedroom, in just two thirty-minute sessions—an intimate setting that suits the song's introspective nature. There’s something deeply poetic about that: a man alone with a mic, exhaling truths that took years to form, captured in an hour like a whispered prayer.


Inspired by his relationship with God and long, solitary drives meant to soothe his mind, Lonely Dirt Road isn’t just a song—it’s a confession. “There is time for everything,” Dax says, “but not everything deserves the same amount of time.” That quote feels like the song’s spine: the realization that life demands reflection, but also discernment.


Mental health is the undercurrent here—not addressed with clichés, but with lived experience. Dax doesn’t offer solutions. Instead, he invites you into the quiet, uncertain spaces where healing begins. That kind of honesty is rare. That kind of vulnerability is brave.


In a world that often demands polish and perfection, Lonely Dirt Road is refreshingly human. It reminds us that sometimes, the most meaningful paths are the ones we walk alone—where every mile is a memory, and every verse is a step toward understanding ourselves a little more.


This isn’t just a record to hear. It’s one to feel.



Avygayle Finds Her Voice in Stirring New Ballad “Tell Me Why”


In her latest single “Tell Me Why,” UK-based singer-songwriter Avygayle leans into the kind of raw, unfiltered emotion that feels like a diary entry set to music. It’s the kind of song that stops you mid-scroll, gently demanding your attention—not with noise, but with quiet vulnerability.


Built on soft piano chords and delicate, cinematic textures, “Tell Me Why” doesn’t try to do too much—and that’s exactly why it hits so hard. It’s stripped back, spacious, and emotionally loaded, allowing Avygayle’s voice to do most of the heavy lifting. And what a voice it is—tender, aching, and honest in a way that never feels forced. She doesn’t just sing the lyrics; she confesses them.


The track echoes the emotional storytelling of contemporaries like Gracie Abrams and Olivia Rodrigo, but there’s something distinctly Avygayle here. She’s not copying a sound—she’s living through a moment. The song’s central question—“Why can’t love be like the movies?”—might seem simple on paper, but in her hands, it becomes a quiet unraveling of idealism, a sigh for every person who’s ever felt let down by real-life romance.


What’s most impressive about “Tell Me Why” is its balance. It’s intimate without being melodramatic, sad without wallowing. There’s strength in its softness, confidence in its restraint. You can hear Avygayle stepping into her own as an artist—not just writing songs, but telling stories with clarity and intent.


For a former cruise ship performer now setting her own course in the pop landscape, “Tell Me Why” feels like a defining step. It’s the sound of an artist realizing that honesty—not perfection—is what truly resonates. And in today’s crowded pop space, that might be her superpower.


If you’ve ever found yourself staring at the ceiling, wondering why love feels different than you imagined—it’s worth pressing play. Avygayle might not have all the answers, but in “Tell Me Why,” she asks the right questions.




Tarn PK – “Cry Baby” | Track Review


There’s something quietly powerful about the way Tarn PK communicates longing — not the loud, heart-on-sleeve kind, but a more subdued, reflective kind that lingers long after the song ends. His latest single, “Cry Baby”, is a meditation on inertia and the quiet acceptance that sometimes, life just is — and that’s okay.


Hailing from Wellington, New Zealand, Tarn has steadily built a reputation for threading emotional vulnerability through glistening, genre-blurring production. On “Cry Baby”, the first single from his upcoming EP F.O.M.O, he leans further into that space — where digital textures meet raw human feeling.


The track blooms slowly, carried by shimmering synths and dusty live drum breaks that feel both nostalgic and futuristic. There's a striking contrast between the cold, digital edges and the warmth of the vibraphone — an unusual choice that somehow feels essential here. It’s the sonic equivalent of a city street at dusk: grey buildings, amber lights, people moving through their own quiet battles.


What’s most compelling, though, is Tarn’s introspection. Written in a moment of personal stagnation, the track doesn’t wallow in despair — it reaches for perspective. “There’s no point feeling sorry for myself,” he says, and that sense of grounded self-awareness threads itself through every beat. It’s not a sad song, necessarily. It’s honest. Resolute.


There’s also a subtle evolution happening here. While not a massive stylistic leap from previous EPs like Sugarcoated or Monarch, “Cry Baby” feels more intentional. Tarn isn’t chasing sound — he’s refining it. And it shows. It’s a track that doesn’t try too hard to impress but ends up doing just that anyway.


As “Cry Baby” finds its footing on Apple Music’s New in Indie and Spotify playlists followed by hundreds of thousands, it’s clear Tarn PK is resonating. With over 2 million streams under his belt and sync deals that speak to his cinematic touch (including a placement in Netflix’s Drôle), he’s more than just a promising artist. He’s a storyteller — and this story, in all its quiet resilience, is one worth hearing.



DJ SnudiHit – Hit The Ground


There’s something refreshingly unforced about Hit The Ground, the latest single from German producer DJ SnudiHit in collaboration with American vocalist Sadie. Released just in time for the spring-summer stretch, the track feels like sunlight through a window — warm, breezy, and quietly uplifting.


Blending chill EDM textures with hints of pop and a mellow house rhythm, Hit The Ground doesn’t try to be the loudest voice in the room. Instead, it draws listeners in with a kind of soft magnetism. The production is crisp and uncluttered — a testament to SnudiHit’s evolving finesse in the studio. It's no surprise the track was built in the comfort of his home studio, a space where his creativity seems to thrive.


Sadie’s vocals float gently above the mix, offering a balance of sweetness and soul that gives the track emotional dimension. Her voice — clear, expressive, and effortlessly melodic — becomes the perfect counterweight to SnudiHit’s polished electronic canvas. The result is a track that feels both intimate and expansive, built for headphones as much as it is for open-air playlists.


What makes Hit The Ground stand out isn’t just its smooth sonics, but the story behind it — two artists from different continents, meeting digitally, yet crafting something that feels organic and cohesive. It’s a collaboration that speaks to the borderless nature of today’s music landscape.


At its core, Hit The Ground is a song about emotional clarity. It’s not a party anthem, nor is it designed to storm the clubs. Instead, it lives in those quiet, golden-hour moments — driving with the windows down, walking home after a good day, or simply sitting still and soaking in the world. There’s joy here, but it’s measured and honest.


In a genre often overwhelmed by high-octane drops and overblown production, SnudiHit chooses a more subtle route — one that feels personal. His intent is clear: to make music that brings people happiness, however simple or small. And in that mission, Hit The Ground succeeds effortlessly.


This is a song that doesn’t shout — it sings. And for those willing to listen closely, it offers a little reminder that good music doesn’t need to be loud to be heard.



Record Review: Led to Ruin – Undertow


With Undertow, Led to Ruin doesn’t just deliver a song — they plunge listeners into a stormy emotional current and dare them to hold on. The Shreveport-based metal outfit has crafted a track that feels less like a single and more like a confrontation — a visceral reckoning with despair, resistance, and the primal instinct to survive when everything else says “sink.”


From the opening notes, Undertow feels heavy — not just sonically, but emotionally. The guitars don’t just growl; they howl through waves of distortion, setting the tone for a song that’s unafraid to sit in discomfort. There’s a rawness here that feels lived-in, like the band has been to the bottom and back. And maybe they have — after all, this is a group that rose from the ashes of the pandemic in 2022, channeling chaos into creation ever since.


The lyrical imagery is stark and suffocating — drowning, sinking, the pull of something vast and merciless. Water becomes a stand-in for the invisible weights we all carry: depression, isolation, grief. But what gives Undertow its staying power is the refusal to submit. That repeated line — "I rage on" — doesn’t feel like a cliché battle cry. It feels earned. It’s whispered at first, then screamed, then roared into oblivion. It’s the sound of someone thrashing against the tide not because they think they’ll win, but because they don’t know how to stop fighting.


Vocally, there’s a desperation in every word that cuts through the instrumentation. The lead vocals don’t just ride the beat — they grapple with it, like trying to shout through water. It’s frantic, cathartic, and strangely comforting in its chaos. There’s a sense that the band isn’t just performing the song — they’re surviving it.


Musically, Undertow stays true to Led to Ruin’s DNA: massive, unrelenting riffs; rhythm sections that feel like tectonic shifts; and a structure that builds, crashes, then resurrects itself with even more urgency. It’s not neat. It’s not polished. It’s real — and that’s what makes it stick.


Ultimately, Undertow is the kind of track that doesn’t ask for attention — it demands it. It’s a song for anyone who’s felt like they’re slipping under, and a reminder that sometimes, survival isn’t about staying afloat — it’s about raging against the pull, even when your lungs are full of saltwater.


Led to Ruin hasn’t just dropped another heavy single. They’ve dropped an anchor — one that drags listeners to the bottom and dares them to come up changed.


Rating: 8.7/10

Standout lyric: “I rage on.” Simple. Devastating. Necessary.



Record Review: E.Z.O. – “HDYL” (Performance Video)

From the EP: PHASED


There’s a particular magic that happens when vulnerability and swagger meet on the same track—and E.Z.O. captures that intersection beautifully in his latest performance video for “HDYL.” With a sound that flirts with Afrobeat grooves while staying grounded in R&B ballad territory, the song is a light, rhythmic take on the complexities of the male gaze, handled with just the right amount of charm and self-awareness.


E.Z.O., a rising artist steadily carving out his own lane in the evolving R&B-rap landscape, uses “HDYL” to show off more than just musical chops. The performance video feels intimate yet elevated—polished without losing authenticity. From the first beat, there’s a sense of warmth and movement that invites you in rather than overwhelms. The production is smooth, layered with just enough bounce to keep your head nodding while letting the lyrics breathe.


Lyrically, “HDYL” doesn’t try to be profound—it doesn’t have to be. It’s a track built on mood and presence, and E.Z.O. brings both in spades. His vocal delivery glides between soulful crooning and conversational honesty, giving the track a relatable tone that makes it feel less like a performance and more like a late-night confession. There’s confidence, yes, but also an underlying softness that suggests a level of introspection behind the gloss.


For an artist still early in his career, E.Z.O. demonstrates a knack for blending genres in a way that feels natural rather than forced. His musical palette pulls from rap, hip-hop, R&B, and Afrobeat, and he knows how to let those influences speak without crowding each other. “HDYL” is a prime example—an easy-listen with depth, the kind of song that sticks with you more than you expect.


What really elevates the experience is how E.Z.O. brings fans into the fold. He’s not just dropping music and disappearing—he’s building a community, giving sneak peeks of the creative process, sharing raw thoughts, and staying active on platforms like TikTok and Instagram. It’s that connection, that open-door vibe, that makes tracks like “HDYL” hit a little harder. You’re not just hearing the song; you’re witnessing a story unfold in real time.


“HDYL” is a strong step forward for E.Z.O., both sonically and visually. It proves he’s not just experimenting with sound—he’s refining it. And if this performance video is any indication of what’s next, listeners are in for something special. Keep your eyes on E.Z.O.—he’s not just emerging, he’s arriving.



Record Review: Stephanie Rodriguez – Facades


In an era where electronic music often strays toward formulaic pop trends, Stephanie Rodriguez emerges from London’s underground with a bold, introspective debut that feels more like a cinematic revelation than a typical single. Her first release, Facades, unveiled on February 21, 2025, is less a song and more a moody soundscape—haunting, vivid, and deeply personal.


From the first few seconds, Facades places listeners in a dreamlike liminal space. It's the kind of track that could soundtrack the quiet unraveling of a character in an indie film, or underscore the slow, emotional pull of a scene lit only by moonlight. But this isn’t accidental—it’s by design. Stephanie approaches music like a visual artist: sound first, then lyrics, slowly layering emotion like paint on canvas. This method shines through in Facades, where melody guides the story and the words arrive later, as whispers of memory and mood.


The track itself resists easy categorization. Influenced by underground electronic artists yet unmistakably singular in its tone, it blends ambient textures with ghostly motifs. There’s a deliberate spaciousness in the production, and every sound feels handpicked—crafted rather than assembled. For Stephanie, who spent the last five years nurturing her skills in music production, Facades represents the culmination of a journey that began with quiet determination and now lands with a confident artistic signature.


What makes Facades particularly intriguing is its potential beyond streaming platforms. It’s tailor-made for sync placements, offering curators and film scorers a richly atmospheric piece that enhances rather than distracts. Think Nicolas Winding Refn, think Euphoria—it’s evocative, cinematic, and sits beautifully within a niche that's often overlooked by traditional electronic releases.


The story behind the track adds further weight. While Stephanie keeps the details of her inspiration close to the chest, she alludes to “particular life events” that shaped the soul of the song. You can feel it in the music—the emotional push and pull, the subtle turbulence behind the calm facade.


For a debut, Facades doesn’t just hint at potential; it delivers a fully realized artistic voice. And with a self-produced EP on the horizon, Stephanie Rodriguez is a name curators, producers, and fans of thoughtful electronic music would be wise to watch.


This isn’t just a first step. It’s a quiet, confident entrance into a scene that could use more of this kind of authenticity.




Christopher Rodriguez – “The Message” | Record Review


From the heart of Pueblo, Colorado—a city known as the “Home of Heroes”—emerges a voice that carries more than just rhythm and rhyme. Christopher Rodriguez’s latest single, The Message, released on April 11, 2025, feels less like a song and more like a wake-up call wrapped in melody. It’s not every day that a debut release manages to channel something so raw, relevant, and rooted in personal conviction, but Christopher accomplishes just that.


The Message resonates with an authenticity that’s hard to fake. Rodriguez recorded the track in his hometown, a deliberate choice that grounds the song in a place of pride, memory, and meaning. From the first note, it’s clear this isn't just music—it's a moment. Drawing deeply from the spirit of Passover 2025, he weaves a narrative meant to capture a turning point in human awareness, offering listeners a stirring call to reflection.


Rodriguez himself describes the project as “a message of restoration,” and you can feel that in every lyric. The production is clean but soulful, with subtle layers that allow his voice—and his vision—to take center stage. There’s an emotional weight to his delivery, as though he’s speaking directly to each listener, urging them to pause, observe, and see the world anew. His influence? Reality itself. “Reality was my influence to wake up everyone sleeping or distracted to what is going on around us,” he explains.


There’s something refreshingly unfiltered about this release. Rodriguez isn’t chasing trends or trying to fit into a sonic box—he’s simply telling the truth as he sees it. And in a time when so much music is manufactured for mass appeal, The Message stands out for its sincerity. His quote, “The message is clear,” serves as both a rallying cry and an invitation. It’s a reminder that, beneath the noise, some things still matter—truth, awareness, and the courage to speak up.


Christopher may not be on tour just yet, but this track alone places him firmly on the radar for those looking for meaning in music. The Message doesn’t just speak—it echoes. It’s a song built not just for playlists, but for moments of introspection. It’s for the individual who’s ready to listen, and for curators willing to share something that lingers long after the last chord fades.


This isn’t just a debut—it’s a declaration. And hopefully, it’s just the beginning.




Record Review: James Fiori (J Priori) – Power


There’s a moment in every great anime when the hero, battered and bruised, digs deep for that final burst of strength. The screen lights up, the score swells, and you know something epic is about to unfold. That’s the feeling James Fiori captures with Power—a cinematic, high-voltage single that throws you straight into the heart of a battle scene, fists clenched and spirit ignited.


Released on April 4th, 2024, Power marks another defining step in Fiori’s evolving musical path. Known under his artist alias J Priori, the Sheffield-based musician brings a refreshing, hands-on intensity to his work. This isn’t just another track made with pre-set samples or loops. Every sound—every riff, rhythm, and surge—is played, recorded, and built by James himself in his home studio using GarageBand and his own collection of instruments.


That DIY ethic is more than a production choice—it’s a philosophy. Completely self-taught and playing entirely by ear, Fiori weaves together the intricate guitar work reminiscent of Joe Satriani, the dramatic dynamics of Led Zeppelin, and the melodic synth influence of Madeon. The result is a sound that straddles rock, instrumental storytelling, and digital dreamscapes, without losing a sense of soul.


Power isn't just technically impressive—it’s emotionally loaded. With its soaring melodies and undeniable energy, it paints a vivid picture of resilience and momentum. “It has the theme of a sort of superhero anime scene,” James says, “the character is powering up and fighting the enemy.” You can hear that narrative pulse in the track’s structure—it builds with purpose, then bursts into moments of raw force, evoking that climactic showdown we’ve all rooted for.


What makes Power stand out isn’t just the craftsmanship or concept. It’s the sheer sincerity behind it. This is the kind of song that doesn’t pretend to be cool—it is cool, because it’s authentic. It’s the sound of someone who’s never had a formal lesson but lives and breathes music, shaping each note with nothing but instinct, dedication, and passion. And when James and a friend shouted “I have the power!” after finishing the mix—a nod to He-Man—it wasn’t just a quote. It was a moment of arrival.


For listeners craving something melodic, original, and unfiltered—something that doesn’t follow trends but instead creates its own space—Power is worth every decibel. It’s more than a song. It’s a declaration.


Standout Moment: The climactic build halfway through the track, where everything kicks into overdrive—it’s impossible not to visualize the anime hero transformation.




Record Review: Chloe Sofia – Pulse


In a sea of debuts, Pulse by Chloe Sofia cuts through the noise with clarity, concept, and conviction. Released on April 8th, 2025, the track feels like a quiet revolution—gentle on the ears, but packed with a narrative that stays with you long after the final chord fades.


At just fifteen, the Milton, Canada native delivers more than just a song. She introduces us to a world of her own making—a comic-inspired tale of a robot collecting human organs in his search for something real. It's a darkly whimsical metaphor, used to unpack themes of inner beauty and emotional hollowness, and it’s handled with remarkable maturity. Chloe doesn’t just sing—she storytells.


Working alongside acclaimed producer Roy Hamilton III, Chloe found a partner who could bring her vision to life without compromising her voice. Their synergy is tangible throughout the track. Roy, a veteran with a knack for crafting polished soundscapes, lends Pulse the sonic depth it needs, while Chloe anchors it with her introspective lyrics and instinct for melodic hooks. The result? A dreamy yet grounded pop track that balances upbeat production with emotional tension.


Musically, Pulse is calm yet charged. It carries the pulse (pun intended) of a synth-pop heartbeat, layered with warm textures and an almost cinematic feel. But what really elevates it is Chloe's writing—honest, sharp, and emotionally accessible. Her lyrics have the kind of raw relatability that echo the storytelling finesse of idols like Taylor Swift, while still feeling entirely her own.


What makes Pulse particularly significant isn’t just its concept or catchiness—it’s what it represents. It’s Chloe staking her claim as a serious artist, not just another teen with a guitar. She’s already performed across the Greater Toronto Area, balancing music with school and extracurriculars, and it’s clear her dedication runs deep. The single may mark her debut, but Chloe’s voice arrives fully formed—authentic, thoughtful, and refreshingly unfiltered.


There’s a quote Chloe keeps close: “Everything works out in the end, and if it doesn’t, it’s not the end.” That same sense of resilience, of quietly pushing forward, pulses through her music. Pulse isn’t just the start of her discography—it’s the heartbeat of a journey just beginning. And if this is only chapter one, the rest of the story promises to be something truly special.




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